Sexual politics and humor go hand in hand with Slippery Slope. Here's your chance to win the film starring Law & Order's Laila Robins and Kelly Hutchinson, along with the Wire's Jim True-Frost.
When a cash strapped feminist filmmaker, Gillian (Kelly Hutchinson), meets a mysterious producer (Laila Robins), she secretly takes a job directing a porn film in order to get her master work, “Feminism For Dummies,” out of the lab. Soon, her own slumbering sexuality is awakened in surprising ways. This arouses the suspicion of her politically correct husband, Hugh (Jim True-Frost) and leads to a madcap finale of mistaken identity that threatens to upend Gillian’s best laid plans. Fresh, witty and wise, Slippery Slope is an unforgettable screwball comedy for our times.
We were fortunate enough to catch up with Slippery Slope director Sarah Schenck last week to discuss the experience of producing this very funny and sexy film.
Indiefilmchat: Tell us a little about your background and how you came to make Slippery Slope.
Sarah Schenck: I’m interested in both feminist thought and in sexuality. I’m from rural Pennsylvania and I grew up wanting to travel the world, and then save the world. My parents are Presbyterian and conservative Republicans and I love them very much but found some of my views rather at odds with theirs from an early age. They taught me much about whimsy and play and art and music. My mom made snowballs in January and kept them in the freezer so that we could have a snowball fight in July. That is good parenting.
I traveled the world, at least a little bit, from Bhutan to Brazil and Marrakesh to Mumbai. When I was at college, I worked as a maid in Paris so that I could study at the Alliance Francaise.
I worked for my Senator Arlen Specter on African aid issues; then worked for the United Nations Mineral Resource and Development Commission. I also volunteered with the Special Olympics and taught skiing and ice skating, later on worked as a tutor with the Madison Square Boys and Girls Club, did lots of precinct-walking for Democratic candidates, lectured on 15th and 16th century Flemish painting at the Met. Then I got to New York City and my ambitions changed.
4 Months, 3 Weeks and 2 Days is a drama starring Anamaria Marinca, Laura Vasiliu, Alex Potocean and Vlad Ivanov. Directed by Cristian Mungiu
Have you ever been stuck in a one-way relationship with a so called friend, one in which you feel you give and give with little gratitude in return, yet you still care for them, almost beyond reason? Christian Mungiu’s Palme d’Or winning film is multi-layered and touches on many themes, including abortion and life in Romania during the oppressive final years of the Ceausescu regime. However, at its core is a simple tale of an uneven friendship between two young women, where one does all the giving and the other, casually and ungratefully, does all the taking.
It's not often that a sexy comedy about the porn industry earns the praise of feminists and critics alike but that's the type of response our August dvd release, Slippery Slope, is earning. Needless to say we are fired up about that! We've got fantastic quotes from Susan Faludi; "Slippery Slope is delightful," as well as Shere Hite; "Slippery Slope is hilarious, multi-layered and warm!" Legendary producer, David Brown called the film "a fresh and amusing send up of pornography." I really thought the film was hilarious, sexy and smart the first time I saw it and am absolutely delighted to be releasing it.
Slippery Slope stars Laila Robins, Jim True-Frost and Kelly Hutchinson. The plot revolves around a cash strapped feminist filmmaker Gillian, (played by Hutchinson) who meets a mysterious producer (Robins) and secretly takes a job directing a porn film in order to get her master work, "Feminism For Dummies" out of hock with the lab. Soon her own slumbering sexuality is awakened in surprising ways. This arouses the suspicion of her politically correct husband, Hugh (True-Frost) and leads to a madcap finale of mistaken identities that threatens to upend Gillian's best laid plans.
We'll be doing a Q&A with Director Sarah Schenck in the next couple of days so stay tuned. We hope you'll give this very funny film a look when it comes out on August 5th. I don't think you'll be disappointed.
The question that every surviving dvd label is asking themselves is where oh where did the consumers of Independent and arthouse films go? It used to be easy, as in cost effective, to introduce a new dvd to this customer. They were smart, well educated and actually read things. Now, retail has abandoned them as consumers and it has become a very pricey proposition to find them on the internet.
We certainly ran into this ourselves earlier this year. Our film, Romeo & Juliet Get Married, directed by the highly respected Bruno Baretto (Dona Flor And Her Two Husbands, etc) is a wonderful romantic riff on Shakespeare's classic tragedy. Reviews were very strong. We did ok with rental, but as far as sell through goes, in spite of a costly marketing effort, we barely made a ripple. The same held true for the highly regarded Khadak. This film has a built in appeal for people interested in Eastern religiion, environmentalism, politics and arthouse cinema. It played at Sundance, Venice and Toronto. Yet, without a deal with Blockbuster, we would have barely covered our theatrical investment. English language titles didn't fare much better. Crystal River, which is advertised on the front page of this site, is a beautiful film with strong appeal to women. Unfortunately, retail that caters to women has shown little or no interest in stocking the title. Which brings us back to the internet.
All the marketing gurus claim its easier to reach your audience with the internet. This might be true. But reaching your audience and actually getting them to buy your product have proven to be two different things. This would explain the demise of so many dvd companies over the past six months. Yet, when film fans talk, they often complain about the lack of interesting films to see. There is a huge disconnect here between consumers and speciality distributors. Whoever figures out a way to consistently bridge it will become very successful. In the meantime, there are too many worthwhile films that no one is seeing.
8 Miles High (Das Wilde Leben) tells the true story of European wild-child Uschi Obermaier. The film tracks her restless life from a small town girl in rural Bavaria to a fast-living fashion icon in Munich; from free-loving companion of the Rolling Stones to ultimately becoming the embodiment of the 60's generation of sex, drugs, and rock'n'roll. This is one woman's story about the discovery of freedom and the price one must ultimately pay to achieve it.
French Filmmaker Catherine Breillat had New York film fans in her grasp with her American debut of The Last Mistress. The film brought in $33,554 for IFC Films.
The Last Mistress is about a penniless rogue, Ryno de Marigny (newcomer Fu-ad Ait Aattou), who shocks 19th century France with his engagement to the virginal gem of the aristocracy, Hermangarde (Roxane Mesquida of FAT GIRL). As lurid speculations of Ryno's ten year affair with the carnal Vellini (Argento) manifest, a supremely erotic and wickedly humorous depiction of human lust is revealed - overriding the brittle facade of nobility and reverence. Bolstered by Breillat's mastery of the medium and Argento's commanding performance, THE LAST MISTRESS is a highly entertaining yet incredibly provocative film that has resulted in unanimous praise from audiences and critics across the world.
Clara Et Moi Label: Lifesize Entertainment
Genre: Human Interest CLICK TO VIEW TRAILER
Synopsis:Sensitive yet selfish Antoine is a 33 year old modern male searching for the love of his life while at odds with the scarier reaches of commitment. Then he meets Clara: she's beautiful generous and has an air of freedom about her that causes Antoine to immediately fall for her. Their romance develops quickly seemingly a perfect love affair between soul mates but when life deals them an unforeseen blow their relationship faces a test it may not survive.
"Bittersweet breezy and intimate." -Geoff Pevere Toronto Star
MILLIONS (A Lottery Story) Label: Lifesize Entertainment
Genre: Human Interest CLICK TO VIEW TRAILER
Synopsis:For many Americans, winning the lottery represents the ultimate dream come true. Millions (A Lottery Story) follows the lives of six different big money winners to show in detail just how dramatically a life-changing experience can affect ordinary people. From the farms of the Midwest and the heart of the Bible belt to the hurricane riddled retirement communities of South Florida, Millions documents the true stories of people as rich in personality as they are - or once were - in material wealth, and tells a poignant story of luck, loss and redemption.
"3.5 Stars - Funny, warming, eccentric, fascinating." Roger Ebert, Sun Times