Ink is a sci-fi thriller starring Chris Kelly, Quinn Hunchar, Jessica Duffy and Jeremy Make. Directed by Jamin Winans.
This film was a very pleasant surprise.
In most cases, trying to make an effective sci-fi film on a miniscule budget is like trying to make a gourmet meal with Armour hot dogs. However, Ink is a welcome exception, as Denver director Jamin Winans uses every cent to create a captivating sci-fi thriller that turns into an engaging allegory about loss and redemption.
Two separate worlds are presented in the same story: In the “real” world, John (Chris Kelly), a successful but clearly stressed and unhappy business executive, learns that his 8 year old daughter Emma (Quinn Hunchar, in a very good performance) is in a coma. John is a widower who, due to a drug problem, lost custody of Emma to his late wife’s parents. In the spirit world, we learn that there in an ongoing battle between forces of good (shown as young, attractive people who happen to be good at martial arts) and evil (eerie, distorted-faced creatures clad in black leather). These forces continually battle for our souls through our dreams.
Emma is captured in the spirit world by a deformed, ragged figure known as Ink. His aim is to turn over the soul of the child to the forces of evil in order to become one of them. The good forces follow in a desperate attempt to save the child, yet learn her only hope rests in the real world with John.
While searching for a new Top 5 topic, I stumbled upon an ingenious term coined by ESPN writer Bill Simmons: namely, the “spork” flick, which he defines as a term “to cover any chick flick that disguises itself as a sports movie, except enough is in there to make male AND female viewers happy.” To follow my list of the Top 5 spork flicks of all time. Feel free to offer me any I might have missed.
Rocky (1976)
A surprise? Not really, if you watch it again. What made the original Rocky great (and where the sequels went off the tracks, in my opinion) is that the original is just as much about Adrian ([Talia Shire]) as it is Rocky ([Sylvester Stallone]). While it is remembered for its still powerful training sequences and the final fight, it is a very sweet and moving romance at its core. Just as Rocky is trying to prove to the world and to himself that he is not a loser, so is she. She slowly emerges from her shyness and from under the thumb of her brother Paulie ([Burt Young]) in order to find a new life with Rocky. The shameless but wonderful ending, in which he yells her name as she runs to the ring, is still guaranteed to get the tear ducts flowing. In the final shot, you realize they both have won.
The Hangover is a comedy starring Bradley Cooper, Ed Helms, Zach Galifanakis and Justin Bartha. Directed by Todd Phillips.
The Hangover is a raunchy “guy” movie in the tradition of Animal House and the Judd Apatow assembly line, yet it does not simply throw raunchy jokes at the screen to see what sticks. Instead, it sets up an intriguing premise beautifully, establishes funny characters we come to care about and smoothly transitions from one bizarre but funny scene to another as the protagonists try to uncover just what the hell happened one night in Vegas.
The premise: a bride is called on her wedding day. Bad news: the best man calls from many miles away, in the middle of the desert, to inform her that the groom is missing. He has a bloody lip and three figures are sitting on a car behind him.
As the ads on our home page announce, we are having an end of year blow out sale over at Indiefilmkiosk.com. Everything is on sale for 50% off. Need a last minute gift that doesn't reek of poor time management and overall holiday desperation? Well, the sale at www.indiefilmkiosk.com is just the thing for you. Check it out. We offer a collection of award winning and critically acclaimed films that are frankly, too hard to find elsewhere. You'll be glad that you did. As always there is free ground shipping for orders over $30.00. We are set up for same day shipping this week, but there is also an overnight shipping feature available as well.
In making my list of the Top 10 films of the decade, I must admit that I have not yet seen certain films that have garnered much praise and attention (films such as 21 Grams, The Hurt Locker, Up, Waltz with Bashir and The White Ribbon). I will also not even pretend my list is the definitive Top 10 for the decade. Still, if I can get at least one reader to consider viewing each of these outstanding films, my attempt has served its purpose.
1) Mulholland Drive-Lynch, 2001
I selected Lynch’s erotic masterpiece as the best film of the decade simply because it continues to amaze and confound me with every viewing. Save for perhaps Lynch’s own Eraserhead and the masterworks of Bunuel, no film has come as close to capturing the actual tone and texture of a dream. Each viewing presents a new clue, a different way to view the mystery that was not noticed before. It features great acting, with Naomi Watts giving one of the great acting performances of the decade. Equal parts erotic, funny and scary as hell, it’s about all I could want out of a movie.
It seems that, for many people, the moments when they are closest to death are when they feel the most alive. To die taking a bold risk is to die a glorious death, far better than to simply grow old and wither away like other mortals do. I myself am not a daredevil-yet I sometimes envy those who are. They often feel what few others feel, or see what no one else sees, or will ever see.
Philippe Petit is one such daredevil. On August 7, 1974, this infamous tightrope walker crossed not once, not twice, but eight times between the Twin Towers of the World Trade Center. Man on Wire, the engrossing, moving documentary about his feat, masterfully meshes current interviews, actual footage and reenactments in thrilling fashion in order to understand how and why P
When one of the most memorable nude scenes of the year involves a middle aged, balding, overweight flasher (Observe and Report), you can easily surmise that 2009 was a year lacking in sizzle at the box office. Furthermore, of what I consider the most memorable sexy scenes in 2009, only one involved a major studio project. Whatever the reason (political or otherwise), 2009 was a weak year for sex in the cinema.
The top 5:
Watchmen
Hands down (at least to me) the best movie sex scene in 2009 was the lovemaking session between Silk Spectre II and Nite Owl on board the Nite Owl’s ship. Malin Ackerman is stunningly beautiful in or out of her costume. The love scene is also given a surprising sadness and poignancy as it is accompanied by Leonard Cohen’s “Hallelujah” on the soundtrack.
Repulsion is a psychological horror film starring Catherine Deneuve, Yvonne Furneaux, James Villiers and Patrick Wymark. Directed by Roman Polanski.
One wonders what horrors Polanski suffered as a child. He lost his mother to the Nazis and WW2 and survived on the streets of Warsaw. He depended on the kindness of Roman Catholic families and from apartment to apartment, for it was not safe for a Jewish child to stay in one location for too long. I can imagine him as a child, hearing footsteps and voices above and below these apartments and wondering if those voices were of the ones who meant to do him harm.
Throughout his acclaimed career, a signature trait (particularly in his works of horror) emerged. Instead of a large, haunted mansion, Polanski has always found a small enclosed apartment, surrounded by voices, footsteps and other noises, much more terrifying. Furthermore, he has often found a broken mind to be much scarier than any ghost or monster.
The price war between Amazon and Walmart.com that began in October over best selling books has now spread to dvd and beyond. Recent articles cite price drops for items as diverse as Hasbro ovens and electronic components. Now Target has even joined in for select products as well as most dvd. Many observers believe that Walmart initiated this confrontation in an attempt to defend market share against the ever growing power of E Commerce. This is all well and good, but the enormous market share that these retail giants control, especially Walmart and Amazon, means that there is now tremendous price pressure on independent dvd titles whether they are carried by Walmart and Target or not.
This price pressure might seem like it’s a good thing for consumers, and maybe in the short run it is. But the economics of independent film production and distribution simply cannot sustain itself at a retail price point that is rapidly approaching ten dollars per unit. Amazon, with its endless inventory capacity, is by far the largest retailer of independent film product. As a result it has tremendous influence on consumer expectations. If they persist in offering just about every title at these hugely discounted prices, it won’t be long before they stop eating their loss leaders and simply refuse to pay the traditional wholesale price. Netflix, the other main outlet for independent and imported films, is already cutting back on the number of units they bring in and can hardly be expected to pick up the slack. So when Amazon starts squeezing suppliers, the already crippled independent film sector will be on life support. Other sell thru websites and retail outlets will be forced to match price with Amazon, Walmart and Target. Most of them will simply demand the same reduced wholesale price that Amazon, Walmart and Target will be getting, further pressuring already cash strapped independent distributors and producers.
Oral Fixation Label: Lifesize Entertainment
Genre: Horror
Synopsis:Rachel Marks is obsessed with her dentist. When he refuses to keep treating her, her fragile psyche cracks and she sets out to make herself part of his life by any means neccessary.
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